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EXHIBITIONS
 

TRADING

8.12.2021 - 30.01.2022
"Trdaging" by Alexander Egorov

The main point of the series is an artist's endeavour to understand consumer culture and an overabundance of digital images. According to Egorov, overconsumption and excessive production refer not only to goods, but also to visual information. The inevitable consequence of this is the manipulation of collective memory. Egorov is interested in the adverse effects of too much choice, the gambling behavior, and their influence on the way of thinking: “It’s especially difficult to make a decision when you are faced with too many options, and once the decision is made, doubts and thoughts of missed opportunities can leave you dissatisfied and disappointed.”

The visual information density in each photograph from the series reaches its maximum, irritating the viewer’s eye that wants to capture everything at once. A viral repetition of one still shot creates a new image. This makes Egorov's hypno photos more reminiscent of abstract expressionist works. The work “Trading No.25” is a direct quote to the iconic metaphor of market relations – Andreas Gursky's “99 Cent” (1999).

Egorov began to make the first samples for this series in 2018, and by 2021 a full-fledged project was formed. Moscow, with its obsession with things and an abundance of shopping malls which, in fact, offer a similar assortment of goods and services, has become an ideal place to embody such a complex theme. We live in a time when almost everything can be bought and sold, the schemes of fetishizing goods are becoming more and more complicated. Step-by-step, Egorov moved from spontaneity to consciousness in his choice of trade showcases. At the same time, it was important for him to preserve the recognition of mass-market goods, but on the other hand, he was willing to emphasize the digital invasion.

Using a smartphone camera here isn't just a stylistic device, but a certain way of building a connection with the reimagined “reality”. The author needs to emphasize the impact of mobile technologies on the perception of images. The artist is likened to one of a thousand passers-by who are tirelessly snapping pictures one after another, downloading, or sharing countless data. Afterwards Egorov destroys the original image to the state of a digital pattern by using a graphic editor. “I deliberately distort the first shot to get a kind of digital collage. It’s interesting to play with the edge of a realistic and abstract image. Historically we are used to seeing photography as a trustworthy document, but today it works in an expanded field.”

The choice of the location and the subject, as well as the image editing technique consistently intensify the problem of information consumerism. The deconstruction technique indirectly refers to the photographic practice of Thomas Ruff who explores the complex relationship between photography, the frantic exploitation of images, and the possibilities of digital manipulation.
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