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Tollens Cornelie
Works
Solo exhibitions
2019

Deep Inside. Ruarts Gallery, Moscow, Russia

2010

The Perfect World. Ruarts Gallery, Moscow, Russia

2009

Take me, Reflex Amsterdam, Amsterdam

2002

Weird Nature, Blow-Up Gallery, Amsterdam

Group exhibitions
2024-2025

In the mood for Love. The Ruarts Gallery, Moscow, Russia

2023

Colour! The Groninger Museum, Groningen, Netherlands

2022

Personal Space, a collective retrospective exhibition, The Ruarts Gallery, Moscow, Russia

2015

Everything but Clothes, Museum Arnhem, Arnhem, Netherlands

2014

Hunting. Flatland Gallery, Amsterdam, Netherlands

2013

DISCO. Flatland Gallery, Amsterdam, Netherlands

2012

Fashionfantasy. BlowUp Gallery, Amsterdam, Netherlands

2009

Blow-Up Gallery, Amsterdam, Netherlands

2007

Flatland Gallery, Utrecht, Netherlands

2005

Groninger Museum, Groningen, Netherlands

Gallery Aeroplastics, Brugge, Belgium

2003

Gallery Aeroplastics, Brussels, Belgium

Gasunie. Groningen, Netherlands

2000

Gallery Serieuze Zaken, Amsterdam, Netherlands

1999

Marella Arte, Milano, Italy

1998

ACF. Amsterdam, Netherlands

Exedra, Hilversum, Netherlands

1996

Kunsthal, Rotterdam, Netherlands

Museum of Modern Art, Arnhem, Netherlands

Exhibitions
Biography

Cornelie Tollens (born 1964) is a renowned Dutch photographer. She graduated from the Photography Academy in Haarlem, Netherlands, in 1990. Throughout her career, Tollens has collaborated with esteemed magazines such as Vogue, Dutch, Elle, and Elegance, among others. Her work has been published in Avenue, JFKmen, Credits, La Vie en Rose, and Playboy, and she has contributed to internationally recognized advertising campaigns for major brands including Mercedes, Tommy Hilfiger, Nike, Ikea, Nokia, and Martini. Tollens' photographs are frequently displayed in cities around the globe, including Milan, Paris, Brussels, Amsterdam, New York, Kyoto, and Moscow. Her artistry weaves together primal instincts and youthful innocence, with her images often focusing on themes of emptiness and yearning. The combination of the naked female form with flowers and plants creates intensely sensual and tactile experiences. Exploring themes of eroticism and ecstasy, often flirtatious with the notion of mortality, Tollens finds herself alongside provocative photographers like Robert Mapplethorpe, Nobuyoshi Araki, and Bettina Rheims, all of whom navigate the delicate line between allure and repulsion, as well as beauty and grotesqueness. Her use of rich, velvety hues, subtle noble tones, and gentle color gradations, accompanied by a shimmering light and softened contours reminiscent of "sfumato," pays homage to the traditions of Europe’s finest painters, who are attentive to detail and texture. Some of her works serve as tributes to masterpieces by Courbet ("The Origin of the World"), Manet ("Olympia," "The Luncheon on the Grass"), and Schiele ("Kneeling Girl, Resting on Both Elbows").


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